clevermanka (
clevermanka) wrote2019-09-07 02:07 pm
Entry tags:
Plotting is the new Emotions
Ugh, I do not know how to incorporate plot. *headdesk* I have all these (I think) charming personal interaction scenes with no Actual Plot besides They Are Living In A Haunted House And Things Keep Getting More Weird While Zhao Yunlan Falls In Love With A Ghost.
Two full months of story-time have passed and I know the Scary Thing that's gonna happen in a couple months, and then the Slightly Worse Thing that happens a couple months after that, and then the Final Really Bad Thing. And I know where and how the sex scenes happen (because Priorities), but an actual cohesive plot is...not gelling.
Is this a problem? If it is a problem, anyone got suggestions? My last two days of writing have been very unsatisfying because half my brain is yelling YOU NEED A PLOT and the other half is DO I REALLY and I'm just kinda... /o\
Two full months of story-time have passed and I know the Scary Thing that's gonna happen in a couple months, and then the Slightly Worse Thing that happens a couple months after that, and then the Final Really Bad Thing. And I know where and how the sex scenes happen (because Priorities), but an actual cohesive plot is...not gelling.
Is this a problem? If it is a problem, anyone got suggestions? My last two days of writing have been very unsatisfying because half my brain is yelling YOU NEED A PLOT and the other half is DO I REALLY and I'm just kinda... /o\

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NO
I personally believe in writing what I want to read, which means my characters talk to each other a lot and if there's any plot at all, it's only there because they needed something to talk about when they weren't discussing more important things, like tea and jokes and comfort. ♥ So for whatever that's worth... (As a reader I skip the purely-plot scenes to get to the tea and jokes and comfort (I'm just here for the (friendly and loving) relationships!) which is how I developed those priorities in my writing. :) )
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I mean, I am struggling with this exact thing because I accidentally set up Plot Things in the 15k of intense h/c I'm currently sitting on?
So here's where I'm at with my writing - whoops, this is very me and maybe not at all relevant to you, so just prefacing this with that caveat.
Talking this "PLOT HOW" thing over with
tl;dr I am with the DO I REALLY part of your brain, because fanfic. ♥
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the heart of the story is about Shen Wei and Zhao Yunlan
Good point.
As I discovered writing Lollipop, I do very well when I know I'm serving the needs of a particular audience. It's good to be reminded that the fanfiction audience is not necessarily here for the intricate plot developments. Thank you.
in your case SEX SCENES whoo
I am so excited to write their first time. Ghost Sex! It's gonna be Weird and Awesome!
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It really is a curse. XD
It's good to be reminded that the fanfiction audience is not necessarily here for the intricate plot developments.
Same! I mean - I need that reminder, because I tend to build up to "but if this random background thing isn't explored then--" and
And this goes for good plot, too. It's fun to read a story where stuff happens, but as long as it's mostly coherent what is really fun is seeing how Zhao Yunlan and Shen Wei and the others react to those things, and how that thing between them develops.
I am so excited to write their first time. Ghost Sex! It's gonna be Weird and Awesome!
*\o/*
I am so excited to read it!
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My own experiences with stuff is that I have to start with a plot if there is to be one. That said, looking at your outline-thingy, you're perfectly placed for a Big Dumb Object -type plot! Just have them gradually discover more and more about a thingy, like the house. My personal preference for shipfic is that there be more going on than just the shippy get-together or whatnot, but then again, as I am not your audience (nothing personal, I just ... don't like setting-change AUs or haunted houses), you probably shouldn't tailor it to my likes. :P
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I appreciate your weighing in on the plot issue. It makes me feel better to hear people confirm that a bunch of character-building scenes centered around a loose concept is fine. Thank you!
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Also, a lot of people enjoy reading the characters interacting without conventional plots. You will have readers.
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(My current fic writing thoughts are going like -- Maybe I should trying writing something for my own dire panda challenge? But then I'd have to write fic that's not about Shen Wei cooking ... can I do that? *quickly distracts self with 5 other projects*)
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The story of mine with the most comments/kudos at AO3 is a MCU/Leverage crossover that has a Leverage-style con going on entirely in the background as my main character hangs out at a brew pub and reads books. Write the story you want to write.
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Yay! It's so good to hear similar, supportive validation from everyone. \o/
I love the idea of a plot happening in the background like that.
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In a romance story, the plot is the relationship. So ideally, every scene should advance the relationship somehow -- it should move them closer to developing their feelings, or realizing their feelings, or acting on them. But nothing else needs to "happen"; that development is what matters. So if Zhao Yunlan is falling more in love with the ghost with every scene, you have a plot already!
(also romances and fic can have subplots too, so if in some scenes they're not falling in love more but Zhao Yunlan's relationships with his friends are changing and developing, that's also plot!)
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Oooo. If you ever come across that article again, please do send it to me. I think one of the reasons for my issue with this is Someone Who Is A Professional Fiction Writer In The House keeps impressing on me the importance of Plot and Narrative and I was beginning to doubt.
every scene should advance the relationship somehow
ah-HA! I think you just helped me solve my inertia. THANK YOU.
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That sounds to me like you have your plot right there?
From what you've described about your story, it sounds like what you need is progression and stuff happening around that; if you're writing a story set over several months, you probably need some stuff to happen around the relationship progression, otherwise (at least this is my experience) you might find yourself going slightly nuts writing the same two dudes just having conversations about... what? their feelings? So, yeah, I think a story set over several months needs some 'stuff that happens' that can prompt the relationship progression and will give your characters things to have conversations and feelings about, but I don't think you need a cohesive singular (outside) plot. The joy of a getting-together story is that there's an intrinsic plot with a resolution (one would hope *g*) and I strongly suspect that for a majority of your audience, that is the plot and resolution they care about, not whether there was a cohesive mystery built up over ten chapters and perfectly resolved one chapter from the end. (I mean, it's great when that happens! But in relationship fic, the absence of an outside, non-relationship plot isn't a primary concern.)
Would be my take, anyway!
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This is super helpful, thank you.
Thinking of it as *progression* of the relationships (especially ZYL/SW but also ZYL & Zhu Hong & Da Qing) instead of plot is a fantastic way to think about it. I just need to develop increasing tension in those relationships, followed by resolution, then building tension again. I'm resolving things too fast, I think, and not giving time for things to build up.