clevermanka (
clevermanka) wrote2015-10-21 09:19 am
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Despite our estrangement, I’m your man
For those of you wanting more takes on Crimson Peak, may I offer two favorable and lovely reviews, one is from local horror notable
orrin and the other is from
beren_writes.
And here's something for all my friends who I know want another Joss Whedonsmackdown critique.
mckitterick bravely listened to Act 2 of Hamilton with me last night. About a third of the way through he asked "is this just a continuing trainwreck until the end?" and I said yeah, pretty much but he kept listening and agreed that even though it's sad it's also very very good.
I'm not going to say I looked up if orchestra pit seats are still available during our Spring Break but orchestra pit seats are totally still available during our Spring Break. Not cheap. BUT AVAILABLE.
Can we talk for a moment (
curieuse, I'm looking at you) about the stylistic differences between King George's song (click the play option at the top) and the rest of the score and how that corresponds to the completely-different-from-everything-else tone of King Herod's song in Jesus Christ Superstar and how might that be intentionally referential? I hope so. I know LMM is a huge musical theater nerd I really want this not to be coincidence.
ETA: found on the toast, this Hamilton analysis/review from Talib Kweli.
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And here's something for all my friends who I know want another Joss Whedon
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I'm not going to say I looked up if orchestra pit seats are still available during our Spring Break but orchestra pit seats are totally still available during our Spring Break. Not cheap. BUT AVAILABLE.
Can we talk for a moment (
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ETA: found on the toast, this Hamilton analysis/review from Talib Kweli.
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Thanks for the reviews, I especially agreed with the end of the first one ( wanting it to be more plot-wise).
And the Joss critique was great.
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I AM SO EXCITED!
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But The Beatles? Nah.
(I am Very Opinionated about this.)
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